| 从小说到电影剧本的编码与解码——论品特《法国中尉的女人》的改编艺术 |
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| 引用本文： | 袁小华,焦国美.从小说到电影剧本的编码与解码——论品特《法国中尉的女人》的改编艺术[J].南京理工大学学报(社会科学版),2008,21(6):27-30. |
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| 作者姓名： | 袁小华 焦国美 |
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| 作者单位： | 东南大学艺术学院,江苏南京210096;南京理工大学外语系,江苏南京210094 |
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| 摘 要： | 本文试图运用伽达默尔的哲学解释学理论来探讨剧本《法国中尉的女人》的编剧技巧和风格，揭示出品特在阅读原小说到哲学解释的过程中，扩展了自身的“视域”和原小说的“视域”，以独特的艺术风格使原小说的生命通过电影的形式得到了延伸和丰富。
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| 关 键 词： | 哈罗德·品特 《法国中尉的女人》 改编 哲学解释学 |
Encoding and Decoding from Novel to Screenplay——On the Adaptation of The French Lieutenant's Woman |
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| Yuan Xiaohua,Jiao Guomei.Encoding and Decoding from Novel to Screenplay——On the Adaptation of The French Lieutenant''''s Woman[J].Journal of Nanjing University of Science and Technology(Social Science),2008,21(6):27-30. |
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| Authors: | Yuan Xiaohua Jiao Guomei |
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| Institution: | Yuan Xiaohua, Jiao Guomei |
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| Abstract: | This paper analyzes the art and style of Harold Pinter＇s screenplay The French Lieutenant＇s Woman based on the theory of Gadamer＇s philosophic hermeneutics. It discusses how Pinter broadens the ＂horizon＂ of himself and the original novel in his interpretation. The form of the movie enriches and develops the original novel with the ＂pinterseque＂ style. |
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| Keywords: | Harold Pinter The French Lieutenant＇s Woman adaptation philosophic hermeneutics |
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