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虚实范畴在传统文艺学中的表义系统辨析
引用本文:胡立新,沈嘉达.虚实范畴在传统文艺学中的表义系统辨析[J].中南民族大学学报(人文社会科学版),2003,23(5):105-110.
作者姓名:胡立新  沈嘉达
作者单位:黄冈师范学院,文学院,湖北,黄冈,438000
摘    要:本文从文艺哲学观、文艺创作的主客体关系、客体对象的形神关系、作品构成的主客体要素、文艺创作技法、创作主体的精神修养、作品的审美风貌、作品与接受者的关系等8大理论维面上,考察了中国传统文艺美学中虚实范畴的涵义领域,揭示出该范畴的复杂义项系统。明此,有助于我们科学地认识理解并运用虚实论的传统理论思想资源。

关 键 词:虚实范畴  涵义系统  中国传统  文艺学
文章编号:1672-433X(2003)05-0105-06
修稿时间:2003年3月16日

An Analysis of Systematic Exposition of Categories of Subjectivity and Objectivity in the Traditional Literary Theories
Abstract:This paper makes a study of some concepts about the categories of subjectivity and objectivity expounded in the traditional literature and aesthetics, and brings to light the complex conceptive system of the categories in terms of eight theoretical aspectsliterary philosophy; the relation between subject and object in literary creation; the relation between the form and spirit of the objects; the subjective constituents and objective ones of the works; the techniques of literary creation; the writers' self-cultivation; the artistic styles; and the relation between the works and its readers. This analytical study will be helpful for our understanding and application of the traditional theories about subjectivity and objectivity.
Keywords:categories of subjectivity and objectivity  conceptive system  Chinese tradition  literature and art  
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