| 明清书籍版面艺术形式的美学特征 |
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| 引用本文： | 黄琴霞.明清书籍版面艺术形式的美学特征[J].华南理工大学学报(社会科学版),2014(4):123-132. |
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| 作者姓名： | 黄琴霞 |
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| 作者单位： | 华南理工大学设计学院,广东广州510006 |
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| 摘 要： | 明清书籍是中国古代书籍艺术史上一个具有终结意义的时代,也是传统书籍设计的一个高峰,其整体版面结构和内容编排设计有其固有的内在规范和美学特点,在整体设计上强调意蕴美,其版面设计在美学思想上浓缩了中国文化"天人合一"的宇宙观,表现出一种得之自然又超乎自然的自然美,在书籍内容的编排上讲求范式美,强调书籍的功能性。这三种美学特征体现了中国独有的书籍编排体系和平面设计的美学风格。
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| 关 键 词： | 明清书籍 意蕴美 自然美 范式美 |
The Aesthetic Features of the Bookbinding and Layout in Ming and Qing Dynasties |
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| HUANG Qin-xia.The Aesthetic Features of the Bookbinding and Layout in Ming and Qing Dynasties[J].Journal of South China University of Technology(Social Science Edition),2014(4):123-132. |
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| Authors: | HUANG Qin-xia |
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| Institution: | HUANG Qin-xia (School of Design, South China University of Technology, Guangzhou 510006, Guangdong, China) |
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| Abstract: | This paper studies the bookbinding and layout in Ming and Qing Dynasties,by analyzing,discussing and summarizing the art achievements and aesthetic characteristics of the books made at that time. It points out that the book art of Ming and Qing Dynasties emphasizes the harmony between man and nature,and embodies the spirit of graphic art and design with Chinese cultural characteristics. |
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| Keywords: | Ming and Qing Dynasties books the beauty of implication along with nature standard beauty |
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