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从台阁诗风的消长看乾嘉之际诗风转换
引用本文:刘靖渊.从台阁诗风的消长看乾嘉之际诗风转换[J].山东师范大学学报(人文社会科学版),2001,46(3):56-61.
作者姓名:刘靖渊
作者单位:山东师范大学,中文系,山东,济南,250014
摘    要:由王朝中枢直接出面直接干预诗歌创作,是清代诗歌史的特殊现象,这一点造就了清代中前期诗歌台阁风气一统天下的畸形发展状态,造就了王士禛"神韵说"和沈德潜"格调说"交替成为康熙朝至乾隆朝前期诗坛主导风气的现象.直到乾嘉之际,随着时势的变化和以袁枚为代表的性灵诗人的冲击,情况才发生了根本性的改变.

关 键 词:台阁诗风  王士禛  沈德潜  袁枚
文章编号:1001-5973(2001)03-0056-06
修稿时间:2000年10月27

On the Change of the Poetic Style during the Period between Emperors Qianlong and Jiaqing in Perspective of the Fluctuation of the Ministers' Poetic Style
Liu Jingyuan.On the Change of the Poetic Style during the Period between Emperors Qianlong and Jiaqing in Perspective of the Fluctuation of the Ministers'''' Poetic Style[J].Journal of Shandong Teachers' University(Social Science Edition),2001,46(3):56-61.
Authors:Liu Jingyuan
Abstract:It was a unique phenomenon that the central government interposed the poetic writing in Qing Dynasty. This brought up not only the freaky estate that ministers' poetic style influenced the whole poetic writing, but also the phenomenon that Wang Shizhen's verve theory and Shen Deqian's pattern theory became the main inclination alternately from Kangxi to Qianlong emperors' reign. Not until the period between Qianlong and Jiaqing emperors' reign that with the change of the times and the impact of the Xingling (self expressionist) school headed by Yuan Mei, the complexion became changing thoroughly.
Keywords:the ministers' poetic style  Wang shizhen  Shen Deqian  Yuan Mei  
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