| 论曹操诗歌在五言诗形成中的地位 |
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| 引用本文： | 木斋.论曹操诗歌在五言诗形成中的地位[J].山东师范大学学报(人文社会科学版),2005,50(2):40-45. |
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| 作者姓名： | 木斋 |
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| 作者单位： | 吉林大学文学院 吉林长春，130012 |
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| 摘 要： | 曹操诗歌是"魏响"的第一阶段。五言诗是在清商乐中成熟的,清商乐是由建安之后曹氏父子所开创的新兴音乐。曹操诗作显示了由四言、杂言诗向五言诗作转型的渐变轨迹。曹丕等人诗"便娟婉约,能移人情"的特质正是从曹操"悲壮"诗风的"悲"演化而来。五言诗成熟在曹操诗歌之后,《古诗十九首》是曹操之后的作品。
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| 关 键 词： | 曹操 清商乐 五言诗 |
| 文章编号： | 1001-5973(2005)02-0040-06 |
| 修稿时间： | 2005年2月5日 |
The Position of Caocao in the Formation of the Five- Character Poetry |
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| Mu Zhai.The Position of Caocao in the Formation of the Five- Character Poetry[J].Journal of Shandong Teachers' University(Social Science Edition),2005,50(2):40-45. |
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| Authors: | Mu Zhai |
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| Abstract: | Caocao's poetry is the first stage of "Weixiang", and the five -character poetry gets sophisticated through the Qiangshang tune(Qing Shang Yue) a newly rising music invented by Caocao and his sons. Caocao's poems demonstrates the changing track from the four-character to five-character poetry. The characteristic of Caopi's poetry is just originated from that of Caocao's. |
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| Keywords: | Caocao Qingshang tune(Qing Shang Yue) five-character poetry |
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