| 论风骨的内涵及建安风骨的渐次形成 |
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| 引用本文： | 木斋.论风骨的内涵及建安风骨的渐次形成[J].山东师范大学学报(人文社会科学版),2006,51(3):3-8. |
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| 作者姓名： | 木斋 |
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| 作者单位： | 吉林大学,文学院,吉林,长春,130012 |
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| 摘 要： | 现在对于“风骨”的理解,不论是从内容上解释为“反映社会”,还是从艺术解释为“刚健”,都是对“风骨”的误读。刘勰“风骨”的本意,有两大基本要素,一是“述情”,二是精炼。建安风骨经历了曹操的“汉末实录”式的风骨、建安时代曹丕“便娟移人”的文人化风骨,以及曹植后期诗作代表的“沉著清老”式风骨的三个历程。
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| 关 键 词： | 风骨 述情 沉吟铺辞 |
| 文章编号： | 1001-5973(2006)03-0003-06 |
| 修稿时间： | 2005年12月9日 |
On the Connotations of Vigor of Style(Fenggu)and the Coming to the Fore of Jian'an Fenggu |
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| Mu Zhai.On the Connotations of Vigor of Style(Fenggu)and the Coming to the Fore of Jian''''an Fenggu[J].Journal of Shandong Teachers' University(Social Science Edition),2006,51(3):3-8. |
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| Authors: | Mu Zhai |
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| Abstract: | At present,all the interpretations of vigor of style(fenggu) are misreadings of this term,no matter whether it is explained as "the reflection of the then society" in terms of content,or it is described as "vigorousness" with respect to artistic form.Liu Xie's doctrine on vigor of style(fenggu)originally involves two elements: the first is to be "lyrical",and the second,to be concise.The vigor of style of the Jian'an Period(Jian'an fenggu) has undergone three stages: the vigor of style(fenggu) of Cao Cao's mode as the true record of the society at the end of the Han dynasty;Cao Pi's luxurious style,and Cao Zhi's lyric and concise style(fenggu). |
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| Keywords: | vigor of style(fenggu) to be "lyrical" to be concise |
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