| 20世纪中后期西方反本质主义美学及其问题 |
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| 引用本文： | 李建盛.20世纪中后期西方反本质主义美学及其问题[J].山东师范大学学报(人文社会科学版),2014(3):142-147. |
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| 作者姓名： | 李建盛 |
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| 作者单位： | 北京市社会科学院文化研究所,北京10101 |
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| 摘 要： | 20世纪中后期美学中的反本质主义，在哲学和美学上主要来源于维特根斯坦的分析哲学以及他对美学概念的语境化。后维特根斯坦主义秉承维特根斯坦的分析哲学，以反本质主义的姿态挑战传统的美学本质主义，体现了美学发展史上的一种分化，同时也标志着美学发展的一种重要转变。这种转变所具有的理论意义及其局限性都是明显的。
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| 关 键 词： | 反本质主义 语境化 艺术 美学 |
The Anti -essentialism in Aesthetics and Its Problem in the late 20th Century |
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| Li Jiansheng.The Anti -essentialism in Aesthetics and Its Problem in the late 20th Century[J].Journal of Shandong Teachers' University(Social Science Edition),2014(3):142-147. |
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| Authors: | Li Jiansheng |
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| Institution: | Li Jiansheng (Institute of Culture Research, Beijing Academy of Social Sciences, Beijing 10101 ) |
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| Abstract: | In the late 20th century, anti - essentialism in aesthetics and philosophy is mainly derived fromWittgenstein＇ s analytic philosophy and his contextualization of aesthetic concepts. Adhering to his analytic philosophy, post - Wittgenstainism challenged traditional aesthetk essentialism with the attitude of anti -essentialism, giving expression to a differentiation in aesthetic history, and marking out a significanttransition in the development of aesthetics. However, the theoretical significance and limitations of thissort of transition are both extremely selfevident. |
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| Keywords: | anti - essentialism contextualization art aesthetics |
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