由社会语言向内心语言的转换──论罗兰·巴特的文学语言观

罗兰·巴特的《写作零度》集中地体现了他的文学语言观。作者从现代诗歌的写作风格出发,揭示了现代派文学与传统文学截然不同的特征,对传统写作风格所要求的明晰度进行了彻底的否定。在他的眼里,现代诗歌在文本意义上已彻底地告别“所指”,具有巨大的“能指”能力,而且从根本上实现了社会语言向内心语言的转换。这种一味强调“语言符号”和“超语言符号”的反文学理论尽管存在着这样或那样的缺陷与不足,但至少给我们带来了一种目光或一种直觉。

Transformation from Social Language to Language of the Mind: On Roland Barthes' View of Literary Language

The Degre Zero de l' Ecriture of Roland Barthes manifests his view of literary language. From an analysis of the writing style of modern poetry, the author demonstrated the characteristics of modernist literature in contrast to classical literature and negated the clarity of traditional writing style. In his eyes, modern poetry has completely given up the capacity of "signified", retained great potential for signification and realized the fundamental transformation from social language to language of the mind. Although his theory of "a-literature" about "language signs" and "paralanguage signs" has some defects, yet it has provided at least some insight or intuition.