总集与文学史权力——以《文苑英华》所采诗题为中心

在古代中国,虽然文学史之撰写及其呈现形态与现代中国颇不相同,但是,在包涵文学作品的文本整理、文学典籍的文献承递、文学知识与经典的传播等在内的一系列影响文学史运作的过程中,话语权力的渗透可以说是无处不在的,只不过其表现形式较为隐蔽,往往不为人察觉。本文将其称之为文学史权力,并以《文苑英华》一书对所采诗篇题目的处置为中心,讨论总集编纂中的文学史权力运用问题。对诗题进行类化、简化或同化,是《文苑英华》这部总集在文献使用和编纂体例上的重要特色之一,其影响及于诗歌之流传、阐释与接受,更在这一过程中展示其对个别作品的占有、支配甚至再创作的权力。

Anthology and Its Literary Power: Focusing on Poem Titles Edited in Wenyuan Yinghua

Although the Chinese history of literature in the past was quite different from that at present,the discursive power,in an imperceptible form,has permeated the making of a literary history: the compilation of the literary works,the inheritance of literary concepts,the spread of the literary knowledge,the distribution of literary classics and the like.This paper studies the exertion of this power,defined as the literary power,in the edit of the poem titles collected in Wenyuan Yinghua.The categorization,simp...