| 郭店竹简《性自命出》与《乐记》乐论比较谈 |
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| 引用本文： | 梁惠敏.郭店竹简《性自命出》与《乐记》乐论比较谈[J].长江大学学报(社会科学版),2006,29(6):40-43. |
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| 作者姓名： | 梁惠敏 |
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| 作者单位： | 长江大学,艺术学院,湖北,荆州,434020 |
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| 摘 要： | 《性自命出》为郭店竹简中一篇颇为重要的先秦儒家佚籍,篇中有论及音乐之源起、音乐之功能、音乐之宗旨等方面的内容,虽语焉不详,却与《乐记》表现出既相同也相异的音乐美学观念。《乐记》为孔门乐教传承的经典,浸润着孔子及其弟子的儒家思想,集中体现了先秦时期的音乐观。
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| 关 键 词： | 乐论 音乐源起 乐情 礼乐 |
| 文章编号： | 1673-1395(2006)06-0040-04 |
| 修稿时间： | 2006年9月20日 |
The Comparison of Music Aesthetics between Nature Originates from Heaven and Yueji |
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| LIANG Hui-min.The Comparison of Music Aesthetics between Nature Originates from Heaven and Yueji[J].Journal of Yangtze University:Social Sciences,2006,29(6):40-43. |
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| Authors: | LIANG Hui-min |
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| Abstract: | Among numerous Confucian texts from Guodian bamboo documents,Nature Originates from Heaven is a fairly important Confucian article handed down from the Qin Dynasty.It touches upon the origin,the function as well as the objective of music.Yueji was a classic work for the Confucian to come down the music education idea and embodied the idea of Confucius and his disciples.The comparison of the music aesthetics between Nature originates from Heaven and Yueji has great significance for the study of the classic music theory of China. |
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| Keywords: | music aesthetics the origin of music the emotion conveyed by music etiquette and music |
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