生态环境美学：对人类中心主义的超越

生态环境危机的根源在于人类将人与自然的关系视为根本对立的,而这种观点从根本上来说又归因于"人类中心主义"及其所囿于的西方主客二元对立的思维方式."人类中心主义"的认识论根源是主客二分,其本体论根源是形而上学的理性至上.主客分立使"人类中心主义"在哲学思想上表现为无限膨胀的主体性,在伦理观上坚持传统伦理学.只有构建生态环境美学,突破主客对立的传统思维方式,否定传统哲学当中的工具理性,重建理性和主体性,坚持生态伦理观,重新认识和肯定自然的价值,才能超越人类中心主义,建立人与自然和谐统一、圆融共舞的共同体.这才是以生态伦理学为基础的生态环境美学的最高目的.

Eco-environmental Aesthetics: Transcendence of Anthropocentrism

Eco-environmental crisis is rooted in the fundamental antagonism of the relationship between man and nature regarded by man, and this view is fundamentally attributed to anthropocentrism and the way of thinking of the West subject-object dualism antagonism in which the anthropocentrism is limited. The root of epistemology of anthropocentrism is the subject-object dichotomy, and its ontological root is the supremacy of metaphysical reason. The separation of subject and object has anthropocentrism exhibited as an unlimited expansion of subjectivity in philosophy, and anthropocentrism insists on the traditional ethics in ethics. Only to build eco-environmental aesthetics, break through the way of the traditional thinking of subject-object dualism antagonism, negate the instrumental rationality of traditional philosophy, reconstruct the reason and the subjectivity, persist in eco-ethics, re-understand and confirm the value of nature, can the anthropocentrism be transcended and the community in which man and nature are harmony and united with each other, and dancing together. This is the highest purpose of eco-environmental aesthetics based on ecological ethics.