| 论现代性与审美现代性 |
| |
| 引用本文： | 宋卫红.论现代性与审美现代性[J].宝鸡文理学院学报(社会科学版),2004,24(1):6-10. |
| |
| 作者姓名： | 宋卫红 |
| |
| 作者单位： | 陕西师范大学,文学院,陕西,西安,710062 |
| |
| 摘 要： | 审美现代性与现代性的关系并非简单的对抗关系,它们是同一启蒙方案内部逻辑演化的产物,前者孕藏于后者的理性原则和主体性原则之中,后者的三次历史浪潮为前者的最终形成提供了哲学依据.中国理论界对审美现代性的研究具有现实的实践意义.
|
| 关 键 词： | 现代性 审美现代性 感性 当代审美文化 |
| 文章编号： | 1008-4193(2004)01-0006-05 |
| 修稿时间： | 2002年12月9日 |
On Modernity and Aesthetic Modernity |
| |
| SONG Wei-hong.On Modernity and Aesthetic Modernity[J].Journal of Baoji College of Arts and Science(Social Science Edition),2004,24(1):6-10. |
| |
| Authors: | SONG Wei-hong |
| |
| Abstract: | The relation of aesthetic modernity to modernity is not a simply opposed one.They are both results of the Enlightenment's internal logic evolution.The aesthetic modernity is contained in the modernity's rationalism and subjectivism principles,and the three historical trends of the latter supply the former with philosophical basis.The study of aesthetic modernity have practical significance in Chinese theory field. |
| |
| Keywords: | modernity aesthetic modernity perception contemporary aesthetic culture |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
