| 翁方纲《诗法论》解读 |
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| 引用本文： | 段宗社.翁方纲《诗法论》解读[J].宝鸡文理学院学报(社会科学版),2006,26(5):63-67. |
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| 作者姓名： | 段宗社 |
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| 作者单位： | 陕西师范大学,文学院,陕西,西安,710061 |
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| 摘 要： | 《诗法论》是翁方纲诗学专论中重要的一篇,代表着作者对诗法问题的总看法。本文联系作者其他言论,对文中诸多难点和矛盾之处加以阐述。翁方纲对诗法的总观点是有法而无定方,重复了诗法论的传统观点;他把诗法为“正本探原之法”和“穷形尽变之法”,而对其意义的阐述又有矛盾之处,本文认为这一矛盾正反映中国诗法论的固有特征。翁方纲《石洲诗话》历代诗歌的分析,正是以“穷形尽变”之法进行诗歌“肌理”批评的实践范例。
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| 关 键 词： | 诗法 肌理 正本探原 穷形尽变 《石洲诗话》 |
| 文章编号： | 1008-4193(2006)05-0063-05 |
| 收稿时间： | 07 25 2006 12:00AM |
| 修稿时间： | 2006年7月25日 |
A Detailed Explanation of "On the Technique of Poetry" by Wong Fang-gang |
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| DUAN Zong-she.A Detailed Explanation of "On the Technique of Poetry" by Wong Fang-gang[J].Journal of Baoji College of Arts and Science(Social Science Edition),2006,26(5):63-67. |
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| Authors: | DUAN Zong-she |
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| Abstract: | This article is a explanation to "On the Techniques of Poetry" which is an important thesis of Weng's poetic.Weng Fang-gang considered that "Technique" lies between the intended and the unintended and it does not permit minute craft or forced used.He also thinks that the technique can be divided into two levels: the rules from the source of poem and the techniques for change.The letter is fully analyzed in his "Shizhou poetry talks". |
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| Keywords: | the technique of poetry the texture of poem Shizhou poetry talks |
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