《粉墨春秋》:民族舞蹈与戏曲艺术的结合

自大型原创舞剧《粉墨春秋》首演以来,得到业内外人士和观众的广泛好评.《粉墨春秋》的演出与制作以创新为主旨,突破了舞剧以男女主角的爱情故事为线索的情节模式,有着以戏化舞的特点；同时它又将戏曲表演艺术融入到民族舞蹈的语汇之中,创造了独特新颖的舞蹈语汇；它的舞美设计把戏曲的综合性特点与时代风尚融为一体,使得此剧不仅演绎了戏剧人生的故事,还承载着戏曲绝技和民族精神.这种创新与探索,不仅有利于戏曲艺术的普及和传播,而且对于世界人民了解中国以及中国的文化艺术走出国门也起着推动作用.

Drama Life: Combination of Traditional Dancing and Opera Performing

Since the premiere of the large original dance play Drama Life,it has received applause and been widely praised by both critics and audience.After careful analyses and researches,innovation is the purpose of its performance and production.It breaks the plot mode which used love story as a clue of drama.The dance play is characterized by the opera fragment into it.At the same time it creates the unique dance which combines opera performing and traditional dancing.The opera stage design mixes with opera characteristic and age fashions,making the play not only the interpretation of the dramatic life,but also the carrier of the opera skills and national spirit.This kind of innovation and exploration is beneficial to the opera and diffusion of art, but furthermore plays an important role for the world people in knowing China and Chinese culture art.