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试析王夫之诗学“诗乐一理”论
引用本文:陶水平.试析王夫之诗学“诗乐一理”论[J].东南大学学报(哲学社会科学版),2002,4(4):110-118.
作者姓名:陶水平
作者单位:江西师范大学,文学院,江西,南昌,330027
摘    要:明清之际的王夫之论诗评诗既讲诗歌的情景交融 ,又追求诗歌的声情并茂 ,从而将其诗学研究推向了中国古代诗学和美学集大成的历史总结者的高度。概而言之 ,船山诗学“诗乐一理”的要义在于 ,强调诗歌艺术更靠近“乐”而非“文”。这一诗学命题是对宋人“以文为诗”的反拨 ,是对沈约“四声”说的纠正。“诗乐一理”说无论在船山诗学和美学的理论体系中 ,还是在整个中国古典诗学和美学研究史上 ,均占有重要地位

关 键 词:诗道性情  诗乐一理  诗的音乐美  中和(和谐)之美
文章编号:1671-511X(2002)04-0110-09
修稿时间:2001年5月29日

An analysis of Wang Fuzhi's theory of "poetry being the same with music in nature"
TAO Shui,ping.An analysis of Wang Fuzhi''''s theory of "poetry being the same with music in nature"[J].Journal of Southeast University(Philosophy and Social Science ),2002,4(4):110-118.
Authors:TAO Shui  ping
Abstract:Wang Fuzhi's comments on poetry focused not only the blending of feelings and setting but also on the harmony between the tone and expressions.In his research all previous theories of poetry and aesthetics were synthesized and brought to their highest development.The gist of Wang's theory is that poetry is more close to music than to literature as far as its artistic nature is concerned.This view occupies an important position not only in Wang's theoretical system of poetry and aesthetics,but also in the history of Chinese poetry and aesthetic research.
Keywords:temperament in poetical writing  poetry being the same with music in nature  the beauty of music in poetry  the beauty of harmony  
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