诗性主体和审美需要

在后现代历史语境里，主体一方面深陷于文化之全方位的意识形态化藩篱，高度理性化和逻辑化的思维方式，消解了内在的审美感性和审美冲动，失落了诗意化的生存期待和终极的审美信仰；另一方面，沉迷于消费社会的交换价值和符号价值．由此产生心理的物化需要，追逐奢侈的消费欲望和沉醉于知识、商品、名利、权力等现实性对象，导致审美物化的悲剧结果。主体丧失了审美需要和审美判断力，成为感官欲望、技术需要和消费活动的奴隶。在历史和心理的双重情境下，美学呼吁重建诗性主体，既拒绝物化需要，也拒绝虚假和庸俗的审美需要，恢复和强化真实的审美需要，使审美需要的心理动机得到净化和升华。这要求我们必须认识诗性主体和审美需要的逻辑关系及其重要意义，必须对审美需要有一个审查、清理、澄明而后回归其本质的过程。

Poetic Subject and Aesthetic Desire

In post-modern history context, on one hand, the human subject is strangled by fence of culture ideology, restricted by thinking mode of rationalization and logicalization. The aesthetic feeling and aesthetic impulsion in human heart are dissimilate; and the poetic hope of life and ultimate faith of aesthetics are lost; on the other hand, people follow the exchange and symbol value of mass consumption society closely, and then generate the wallow in material desire and vigorously chase luxury and the objective such as knowledge, merchandise, honor, benefit and power, which lead to tragedy result of aesthetic materialization. The human subject loses the aesthetic desire and aesthetic sense and become the slave of sensorial desire, technical demand and consumptive activity. Base on situation of history and psychology, aesthetics appeal for rebuilding poetic subject, to put it more specifically, people should refuse the physical desire and aesthetic desire of illusive and stodgy, restore and strengthen genuine aesthetic desire, purify and sublime the psychological motivations of aesthetic desire. Thus, we must acquaint the logical relationship and mutual value between poetic subject and aesthetic desire.