| 自我的迷失与膨胀——韩寒笔下的“上海印象” |
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| 引用本文： | 喻琴.自我的迷失与膨胀——韩寒笔下的“上海印象”[J].太原理工大学学报(社会科学版),2009,27(4):58-61. |
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| 作者姓名： | 喻琴 |
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| 作者单位： | 南昌大学,艺术与设计学院,江西,南昌,330074 |
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| 基金项目： | 2008年江西省教育科学"十一五"规划课题《江西高校艺术教育的历史经验、瓶颈问题与发展对策研究》 |
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| 摘 要： | 文章拟从韩寒的文本出发，以其笔下的“上海”印象为切入点来展现作品人物自我缺失、迷失的心路历程。通过对上海“城市建筑”呆板、人工化、无生气特点的描绘，表现了城市景观与自然景观之间的冲突；通过对精明世故、人情淡漠的上海人生存状态的再现，凸现出物质繁荣与精神虚无之间的不协调；通过对以城市文明和现代化为主导的上海文化的反思，表明了作者以边缘立场对抗主流话语的反叛姿态，其结果却导致一度迷失的自我得以极度地膨胀。
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| 关 键 词： | 韩寒 上海 城市印象 自我 |
Lost and Expansion of Self——Han Han's Writing of the "Shanghai Impression" |
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| YU Qin.Lost and Expansion of Self——Han Han''s Writing of the "Shanghai Impression"[J].Journal of Taiyuan University of Technology(Social Sciences Edition),2009,27(4):58-61. |
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| Authors: | YU Qin |
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| Institution: | YU Qin (School of Art and Design, Nanchang University ,Nanchang J iangxi 330047,China) |
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| Abstract: | This paper shows the mental process of lost and expansion of self of people starting from the Han Han＇s texts and regarding ＂Shanghai＂ as a starting point. Through describing the characteristics of Shanghai＇s city building as rigid, artificial, inert, his works show the conflict between the urban landscape and the natural landscape ; through the performance of smart sophistication, human apathy of the people of shanghai existence, his works highlight mismatch between material prosperity and spiritual emptiness ; through reflection in civilized and modern city-oriented culture of Shanghai, his works show the author＇s position against the mainstream discourse, which led lost of self to extreme self-inflated. |
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| Keywords: | Han Han Shanghai impression of city self |
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