| 表现说视野下的言、象、境——论中国古典文学表现形态的历史演进 |
| |
| 引用本文： | 官贵边.表现说视野下的言、象、境——论中国古典文学表现形态的历史演进[J].太原师范学院学报(社会科学版),2012,11(2):76-81. |
| |
| 作者姓名： | 官贵边 |
| |
| 作者单位： | 广西师范大学文学院,广西桂林,541000 |
| |
| 摘 要： | "言"、"象"、"境"是中国古典文论中三个极其重要的概念,而表现说则占据着中国古典文论文质观的主流位置。在表现说的视野下,"言"、"象"、"境"是三个具有历时性续承关系和共时性构成关系的三种表现形态,"言"——"象"——"境"的发展过程是由单一而走向系统化的过程,此过程揭示了中国古典文学表现形态的历史演进。
|
| 关 键 词： | 言 象 境 表现说 表现形态 |
Yan,Xiang and Jing in the Perspective of Expressionism |
| |
| GUAN Gui-bian.Yan,Xiang and Jing in the Perspective of Expressionism[J].Journal of Taiyuan Normal University:Social Science Edition,2012,11(2):76-81. |
| |
| Authors: | GUAN Gui-bian |
| |
| Institution: | GUAN Gui-bian(College of Liberal Arts,Guangxi Normal University,Guilin 541000,China) |
| |
| Abstract: | Yan,Xiang and Jing are three most important concepts of classical Chinese literary theory,and the expressionism takes the mainstream position in the viewpoint of literary essence on classical Chinese literary theory.Based on the perspective of expressionism,Yan,Xiang and Jing,of which the relationship is diachronic and synchronic,are three different classical Chinese literary manifestation styles.The development of Yan—Xiang—Jing is a progress from single to systematization,revealing the historical evolution of the manifestation on classical Chinese literature. |
| |
| Keywords: | Yan Xiang Jing expressionism manifestation style |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
