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音乐精神与诗歌意象——再论唐代赏乐诗的创作
引用本文:郭迎晖.音乐精神与诗歌意象——再论唐代赏乐诗的创作[J].南京航空航天大学学报(社会科学版),2006,8(2):70-73,82.
作者姓名:郭迎晖
作者单位:浙江大学,人文学院,浙江,杭州,310028
摘    要:我国的音乐艺术历史悠久,并与古典诗歌的发展密切相关。诗歌与音乐可以互为创作的题材和内容。唐代是中国古代诗歌、音乐、绘画、舞蹈等艺术的鼎盛时期,产生了众多的赏乐诗创作诗人和优秀赏乐诗作品。音乐是听觉的艺术,而诗歌是语言的艺术。唐代赏乐诗的创作即着重于把握音乐的内在精神,通过通感的移情作用把音乐内容表现为连续意象的叠加,使得作用于笔端的文学语言与音乐的颐情功能达到了较为完美的统一。

关 键 词:音乐  赏乐诗  唐代  意象
文章编号:1671-2129(2006)02-0070-04
修稿时间:2005年11月28

Music Soul and Poem Imago——A Re-discussion of the Creation of Music-Appreciation Poems in Tang Dynasty
GUO Ying-hui.Music Soul and Poem Imago——A Re-discussion of the Creation of Music-Appreciation Poems in Tang Dynasty[J].Journal of Nanjing University of Aeronautics & Astronautics(Social Sciences),2006,8(2):70-73,82.
Authors:GUO Ying-hui
Abstract:Art of music has a long development history in China,which has an affinity with the development of classical poem,and arts such as poem and music can be adopted one to another.Music is an audio art,and poem is an art of language.The point of the creation of music-appreciation poems in Tang Dynasty is grasping the inside soul of music,alternating the music to continual accumulation of imago through the effect of imposed emotion,which is one technique of trans-sense,and then the author makes a relatively perfect unification between the literary language and the amusing function of music.
Keywords:music  music-appreciation poems  Tang Dynasty  imago  
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