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隐秘情结的影像诉说——华语电影同性恋话语的生成和发展
引用本文:边静.隐秘情结的影像诉说——华语电影同性恋话语的生成和发展[J].山东大学学报(哲学社会科学版),2007(3):142-147.
作者姓名:边静
作者单位:中国电影艺术研究中心,北京,100088
摘    要:同性恋是电影表现的一个边缘题材,但是在西方电影创作和理论研究中它已成为一种话语方式和批评方法。华语电影中的同性恋话语总体上是较薄弱的。在华语电影发展史中,其言说过程可以分为三个阶段20世纪90年代之前是“语塞与暧昧”;20世纪90年代是“走出衣柜”;21世纪初是“时尚元素”。从90年代以来的发展态势和言说深度分析,同性恋作为一种话语方式已经在华语电影中得以确立。

关 键 词:华语电影  同性恋  历史发展  话语方式
文章编号:1001-9839(2007)03-0142-06
修稿时间:2006年9月20日

The Evolution the Language of Homosexuality in Chinese Movies
BIAN Jing.The Evolution the Language of Homosexuality in Chinese Movies[J].Journal of Shandong University(Philosophy and Social Sciences),2007(3):142-147.
Authors:BIAN Jing
Abstract:Homosexuality is a marginal subject matter represented in Chinese movies. However, it has become a mode of discourse criticism in western movie theories and movie creation. In Chinese movies, the language for expressing homosexuality is inadequate in general. Its expression in movies has undergone three stages: before 1990s, the language used was usually "vague and ambiguous"; in the 1990s, it was "running out of the closet"; at the beginning of 21st century, it has become "an element of fashion". In view of the tendency and the depth of the language used since the 90s, homosexuality in Chinese movies has bee established as mode of discourse.
Keywords:homosexuality  "vague and ambiguous"  "running out of the closet"  "an element of fashion"  discourse
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