| 水墨山水画构图研究 |
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| 引用本文： | 张红军.水墨山水画构图研究[J].长安大学学报(社会科学版),2004,6(4):64-66,74. |
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| 作者姓名： | 张红军 |
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| 作者单位： | 长安大学,建筑学院,陕西,西安,710061 |
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| 摘 要： | 中国画家对于画面的构图组织要求甚高,构图更是水墨山水画首先应解决好的问题,它直接关系到画面表现形式、主题思想、意境空间的传达。构图是画家思想感情与自然山水形式的有机结合,构图是由各种因素组合而成,有其内在规律和法则,反映作者对于自然造化的感受与审美意趣,是作者学识、修养、思想的综合体现。
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| 关 键 词： | 构图 虚实 宾主 空间 意境 山水画 |
| 文章编号： | 1671-6248(2004)04-0064-03 |
| 修稿时间： | 2004年10月14 |
Study on the composition of Chinese landscape drawing |
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| ZHANG Hong-jun.Study on the composition of Chinese landscape drawing[J].Journal of Chang'an University(Social Sciences Edition),2004,6(4):64-66,74. |
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| Authors: | ZHANG Hong-jun |
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| Abstract: | Chinese artists pay much attention on the composition of pictures, and composition of picture always been thought the first problem to deal with for landscape drawings. It directly relate with the express style, the motif and the expression of artistic conceptions. It is the organic conjoint of artist's emotion, feeling and the style of natunal landscapes. The composition of pictr.re is the syntheses of the artist's knowledge, accomplishment and ideology, it has its natural principles and laws, including different factors, and it reflected the artist's feelings and tastes to the natural landscapes. |
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| Keywords: | composition of a picture the actual condition primary and secondary interspace artistic conception landscape drawings |
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