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论第六代导演作品中的文学化风格
引用本文:赵梅芳.论第六代导演作品中的文学化风格[J].江汉大学学报(人文科学版),2004,23(5):47-49.
作者姓名:赵梅芳
作者单位:东南大学,中西艺术设计研究中心,江苏,南京,210000
摘    要:从分析第六代导演的个案出发,可以寻找到一条探讨当代中国电影文学化风格的有效途径。在这批新锐导演的作品中,出现了一种鲜明的文学化转向:勇于舍弃那些包含了微言大义的"宏大叙事",而在题材、主题乃至角度上趋于细碎和具体,显示了别具一格的纪实特质。作为寻求艺术新变的表征之一,文学化为当代中国电影的美学风格和表现手段注入了新的活力。

关 键 词:当代中国  电影  文学化  第六代导演  风格
文章编号:1006-6152(2004)05-0047-03
修稿时间:2004年6月22日

Literatured Style in Works by 6th Generation Screen Directors
ZHAO Mei-fang.Literatured Style in Works by 6th Generation Screen Directors[J].Journal of Wuhan Institute of Education,2004,23(5):47-49.
Authors:ZHAO Mei-fang
Abstract:In probing into the literatured style of contemporary Chinese movies, the present paper starts with the analysis of cases of the 6th generation screen directors. In the works by the batch of new and vimful directors there appears an obvious turn towards literaturedness: They dare to discard the "epic narration" including righteousness in nomely words. They tend to be elaborate and specific in subject matter, topic and even in perspective, exhibiting a documentary peculiarity of their own. As one of the characterizations of looking for a change of something new in art, literaturedness has injected vigour into the aesthetic style and technique of expression of contemporary Chinese movies.
Keywords:contemporary China  movie  literatured  6th generation screen directors  style  
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