中西音乐美学史研究的三重视角

中国当代关于中西音乐美学史的研究必然涉及的三重视角：一是以自身为对象进行独立研究。探讨从自身文化氛围中产生出的美学范畴、美学命题等；二是以对方审美理论的问题视角作为参照进行比较研究；三是用现代的音乐美学理论言说方式对历代音乐美学思想进行阐释性美学研究。

Triple Visual Angles in Research of Chinese and Western Aesthetic History of Music

The triple visual angles that the research of the Chinese and Western aesthetic history of music in contemporary China inevitably touches upon are as follows: one is the independent research that takes itself as the object of the work,discussing the aesthetic proposition,the aesthetic category that arises from its own cultural ambience,etc.;the other is the comparable research that takes the visual angle of the questions about the aesthetic theory of the other party as the reference;the still other is the explanatory aesthetic research of the past music aesthetic thinking by way of modern music aesthetic theoretical speech.