“自我”与“他者”审美歧途中的“湘西形象”

中国文学中的“湘西形象”是一个独特的文化与文学现象，表现出多重美学样态。其中民俗传奇的“湘西形象”中却呈现出一种二元对立态势，深刻的体现出“自我”与“他者”之间的审美歧途。沈从文对湘西乡土的诗意呈现、对湘西子民生存形态的展示实现了对湘西最为成功的“自我塑形”。其作品中浪漫与诗意的民俗湘西形象背后蕴藏着深邃的价值核心，即对于人性的洞察与展现。而当代网络文学中的“湘西形象”书写则表现出一种“他者”视角下，对湘西民间秘闻、诡魅习俗的猎奇演绎与神秘文化趣味，其众多文本刻意塑造出“鬼魅幻象”式的湘西形象，这无疑是对“湘西形象”的一种单向度的书写与审美。

Xiangxi Image in the Divergent Aesthetic Appreciation of Self and the Other

In Chinese literature,Xiangxi image is a unique cultural and literature phenomenon with multiple aesthetic modalities manifested,among which Xiangxi image in folk legends,however it is displayed,is a binary opposition situation,deeply embodying the divergent aesthetic appreciation between self and the other.Shen Congwen’ s poetic demonstration about local features and survival situation of people in Xiangxi have realized the most successful self-molding of Xiangxi.The romantic and poetic Xiangxi images in his works contain profound value core,referring to the insights and reveal of humanity.However,Xiangxi image in online literature is displayed from the perspective of the other which is curiosity deduction and mysterious cultural interest as to folk secret news and mysterious customs in Xiangxi,with numerous texts to mould phantoms of Xiangxi image full of ghosts and goblins,undoubtedly becoming a kind of one-dimensional writing and aesthetic appreciation as to western Hunan image.