南朝时代中原旧曲的“新声化”现象

南朝时代，以相和歌为代表的中原旧曲和南方新声-吴声、西曲在共存中实现着新、旧递嬗，在此种音乐背景下，旧曲显示出“新声化”趋向。音乐的“新声化”包括曲调和体式的新变，曲辞的“新声化”主要反映为曲辞内容的艳情化。中原旧曲“新声化”在乐府史上的意义体现在：延续了中原旧曲的艺术生命力；丰富了乐府诗的创作方式；显示了音乐在乐府艺术中的重要位置。

On the Refreshing of Old Music in Central Plains in Southern Dynasty

In the Southern Dynasty,old music in Central Plains (comprising the middle and lower reaches of the Huanghe River),represented by “Xiang”and “Ge”,achieved a state of coexistence with Wuqu and Xiqu,the new music in the south while experiencing a transitional period from the old to the new.In such a musical background,southern new music showed a trend of “refreshing”,including the changes in tunes and style in music,and the erotic content of speech in Quci (poems) as well.The significance of this refreshing is that it has made the old music full of energy,enriched the composition of Yuefu (a government office in the Han Dynasty  for collecting folk songs and ballads;such folk songs and ballads,or their imitation written by scholars) poetry,and put music in an important position in Yuefu art.