| 论宋玉及其作品的接受在六朝的演变 |
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| 引用本文： | 艾初玲.论宋玉及其作品的接受在六朝的演变[J].辽东学院学报(社会科学版),2010,12(4):102-105. |
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| 作者姓名： | 艾初玲 |
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| 作者单位： | 湖南科技大学,人文学院,湖南,湘潭,411201 |
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| 摘 要： | 六朝是关于宋玉研究的重要时期,自晋至陈,宋玉在文学史上的地位逐步走高,论者对他的评价经历了一个由批评到揄扬的流变过程,并最终在刘勰的大力肯定下奠定了辞赋宗师的地位。随着文人对宋玉的推崇,其形象首次由楚襄王的文学侍从转变为绝世才子,而他所开创的经典文学意象在六朝文人笔下,也客观存在着一个由晋代悲秋到向梁陈女性题材创作集中的现象。导致这种流变产生的深层原因应是文学自觉向纵深发展的结果。
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| 关 键 词： | 宋玉 辞赋 六朝 |
Song Yu and His Works:Evaluation in the Six Dynasties |
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| AI Chu-ling.Song Yu and His Works:Evaluation in the Six Dynasties[J].Journal of Liaodong University :Social Sciences,2010,12(4):102-105. |
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| Authors: | AI Chu-ling |
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| Institution: | AI Chu-ling(College of Humanities,Hu'nan University of Science , Technology,Xiangtang 411201,China) |
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| Abstract: | The Six Dynasties is an important period for Song Yu study.From the Jin Dynasty to the Chen Dynasty,Song Yu's literary position is rising.Through a process from criticism to praise,Song Yu's position of great master of Fu is confirmed by Liu Xie's vigorously affirmation.With the highly praise,Song Yu becomes a unique talent from a literary attendant.The classical literary image he creates is changed from autumnal melancholy in the Jin Dynasty to female themes in the Liang and Chen dynasties.The reason for t... |
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| Keywords: | Song Yu Fu the Six Dynasties |
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