元初南北辞赋创作之比较

元初南北赋家面对宋金律赋弊端,都以复古振衰救弊,在入元之初就已大力创作古赋,远早于元仁宗恢复科举变律赋为古赋。不过他们的宗尚同中有异:两者都有骚体赋,南方赋家数量多、篇幅短,范围广泛,甚至说理、文化赋也用骚体;北方赋家仍用骚体抒情,但却从字词、句式、感情、手法等多方面拟骚。两者都宗汉,但北方赋家乘元初雄浑之气,大多数题材都讲究层层铺排,夸饰渲染,有铺张扬厉的汉大赋之风;南方赋家则只在铺叙家乡风物的地理赋中宗尚散体大赋。两者都有宋文赋,北方赋家多拟苏轼之赋;南方赋家多宗议论说理的宋朝古赋,有大量"击壤体"的理学赋。此外,两者一北一南,北之沉雄,南之清婉,风格各异。

Fu Works in Early Northern and Southern Yuan Dynasty:a Comparison

Fu writers both in early northern and southern Yuan dynasty want to improve the Fu by writing ancient Fu. But there are similarities as well as differences in highly praising ancient Fu. They all write Fu in the style of Li Sao,while in the south,there are more writers to write Fu in this style with shorter length; the scope of Fu is more extensive,even the Fu of reasoning and culture is written in the style. Though Fu writers in the north also use Fu in Li Sao style to express their emotion,they imitate Li Sao in words,syntax,feeling and method. Both of them take the Fu in the Han dynasty as the model. Writers in the north write Fu with the exaggerative way as the Fu in the Han dynasty; on the other hand,writers in the south only use this style in describing the scenery of their homeland. Both of them wrote Fu as those in the Song dynasty. The writers in the north often imitate Su Shi' s Fu,while writers in the south often praise the ancient Fu for discussing. In the overall style,Fu of the north is vigorous while the south is graceful.