| 含蓄逸雅和浮华媚艳——中国仕女画与日本美人画散论 |
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| 引用本文： | 吕建昌.含蓄逸雅和浮华媚艳——中国仕女画与日本美人画散论[J].上海大学学报(社会科学版),2000,7(1):53-59. |
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| 作者姓名： | 吕建昌 |
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| 作者单位： | 上海大学 文学院历史系，上海 200436 |
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| 摘 要： | 中国仕女画发端于战国时代，兴盛于唐宋时代，衰微于明清时代。日本美人画胎息于中国的唐代仕女画，并且长期在中国传统绘画艺术风格的影响下发展，直到江户时代浮世绘美人画的崛起，才形成日本民族风格的特点。与日本美人画相比较，中国仕女画的艺术形象具有柔和恬静典雅内美的特征，而日本浮世绘美人画则浓艳媚俗浮燥外华，两者在艺术风格上的显著差异乃中日两国不同的社会历史文化背景，不同的民族传统和习俗所造就。
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| 关 键 词： | 仕女画 美女画 浮世绘 |
| 文章编号： | 1007-6522(2000)01-0053-07 |
| 修稿时间： | 1998年12月9日 |
Traditional Chinese Paintings of Beauty and Japanese Paintings of Beauty |
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| LU Jian,chang.Traditional Chinese Paintings of Beauty and Japanese Paintings of Beauty[J].Journal of Shanghai University(Social Science Edition),2000,7(1):53-59. |
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| Authors: | LU Jian chang |
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| Abstract: | Traditional Chinese paintings of beauty started in the period of Warring States (457-221 B.C.),flourished in the Dynasties of Tang and Song and declined in the Dynasties of Ming and Qing. Originated from Traditional Chinese paintings, Japanese paintings of beauty did not form its national style until the rise of Uyoki painting of beauty in the Edo Dynasty. Comparatively speaking, Chinese painting of beauty is characterized by its tenderness and elegance of inner beauty while Japanese painting of beauty is characterized by its gaudiness and obsequiousness of outer beauty. The differences come from the different social and traditional backgrounds, national traditions and customs. |
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| Keywords: | traditional Chinese painting of beauty Japanese painting of beauty |
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