| 论中国古代绘画“形”“神”兼重的思想 |
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| 引用本文： | 马汉钦.论中国古代绘画“形”“神”兼重的思想[J].湖南工程学院学报(社会科学版),2011,21(2):42-44,71. |
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| 作者姓名： | 马汉钦 |
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| 作者单位： | 南华大学文法学院,湖南衡阳,421001 |
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| 摘 要： | 中国古代绘画"形""神"兼重的思想可分为三个阶段:汉朝时期为"形""神"兼重绘画思想的提出时期,魏晋南北朝时期为"形""神"兼重绘画思想的发展时期,唐朝时期为"形""神"兼重绘画思想的深化时期。
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| 关 键 词： | 中国古代绘画 “形”“神”兼重 汉朝 魏晋南北朝 唐朝 |
Equal Stress on Shape and Spirit in China's Ancient Painting |
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| MA Han-qin.Equal Stress on Shape and Spirit in China''s Ancient Painting[J].Journal of Hunan Institute of Engineering(Social Science Edition),2011,21(2):42-44,71. |
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| Authors: | MA Han-qin |
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| Institution: | MA Han-qin(College of Literature and Law College,Nanhua University,Hengyang 421000,China) |
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| Abstract: | The thought of equal stress on shape and spirit in China's ancient painting can be divided into three stages:such a thought was put forward in the Han Dynasty,developed in the Wei Jin as well as the Northern and Southern Dynasties,and promoted in the Tang Dynasty. |
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| Keywords: | China's ancient painting equal stress on shape and spirit Han Dynasty Wei Jin as well as the Northern and Southern Dynasties Tang Dynasty |
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