| 审美现代性：一种概念性探讨 |
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| 引用本文： | 陈瑞红.审美现代性：一种概念性探讨[J].南京农业大学学报(社会科学版),2005,5(3):92-96. |
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| 作者姓名： | 陈瑞红 |
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| 作者单位： | 南京农业大学,人文学院,江苏,南京,210095 |
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| 摘 要： | “现代性”是用以描述和界定现代时期社会文化特性、精神体验和观念形态等的总体概念,而“审美现代性”的概念是从属于现代性的。综合考察波德莱尔、贝尔、哈贝马斯以及卡林内斯库等人的相关分析论述,可将西方美学中的审美现代性理解为18世纪后期以来的、以艺术的自律性发展为主线并包含文化的审美性演化的动态表征。
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| 关 键 词： | 现代性 审美现代性 艺术自律性 |
| 文章编号： | 1671-7465(2005)03-0092-5 |
| 修稿时间： | 2005年9月7日 |
Aesthetic Modernity: a Conceptual Discussion |
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| CHEN Rui-hong.Aesthetic Modernity: a Conceptual Discussion[J].Journal of Nanjing Agricultural University(Social Science Edition),2005,5(3):92-96. |
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| Authors: | CHEN Rui-hong |
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| Abstract: | "Aesthetic Modernity"is one aspects of "modernity" that is a general concept defining the characteristics of modern culture,the experience of modern living and the ideology of modern society,etc..Investigating theories about aesthetic modernity made by Baudelaire,Bell,Habermas and Calinescu,this paper develops its argument that the concept 'Aesthetic Modernity' is used to describe those changing characteristics and phenomena resulted from the notion of the autonomy of art and the aestheticization of culture since the late 18th century. |
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| Keywords: | modernity aesthetic modernity the autonomy of art |
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