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论小说的影视改编
引用本文:黄书泉.论小说的影视改编[J].安徽大学学报(哲学社会科学版),2003,27(2):67-74.
作者姓名:黄书泉
作者单位:安徽大学,中文系,安徽,合肥,230039
摘    要:小说与影视剧在“叙事”的层面上存在着天然的美学上的可通约性 ,由此构成了小说的影视改编的艺术发生学根据。但是 ,作为两种特性不同的艺术 ,小说与影视剧更存在着美学上的不可通约性 ,由此在小说的影视改编中对“改编什么”和“如何改编”作出了限定 ,建立了改编的美学原则。本文从文艺美学和社会学结合的角度 ,针对近年来小说的影视改编的现实 ,对于两者之间相互联系又相互区别 ,各自独立又相互缠绕的关系作出了阐述和剖析

关 键 词:艺术发生  美学的通约性和不可通约性  文学立场
文章编号:1001-5019(2003)02-0067-08

Comment on the adaptation from novels to movies & TV play
HUANG Shu-quan.Comment on the adaptation from novels to movies & TV play[J].Journal of Anhui University(Philosophy & Social Sciences),2003,27(2):67-74.
Authors:HUANG Shu-quan
Institution:HUANG Shu-quan
Abstract:There is a natural aesthetic interflow between th e novels and movies and TV plays in the narration aspect. So it constitutes the basis of the art starting theory about the adaptation from the novels to movies & TV plays. As the differences between these two kinds of art in characters, the re exists the aesthetic non-interflow between them. As a result, we set limit to the adaptation from novels to movies & TV plays about "What to be adapted" an d "How to adapt" and at the same time we build up the aesthetic principles abo ut the adaptation.
Keywords:art starting theory  aesthetic interflow and non -interflow  stand of literature
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