性别:一种可能的审美维度--全球化视域里的中国性别诗学研究导论(1985-2005大陆)(下)

“中国性别诗学”研究执意于在审美领域不把女性做社会少数族群“特殊化”处理,而是强调女性是人类的另一半,男女双性作为人“类”,人权首先是人身之主体地位和权利,从而与既有的诗学形态出现了某种历史链条中的断裂,从中滋生另一种可能的审美维度:性别,为人类的性别文化建设探索出一种不断“添加能量”的思想和行为。它将侧重A.本土中国性别诗学,B.西方性别诗学的本土化实践两方面的内容;既尊重性别诗学的基础性工作———女性主义文学研究,又要依赖性别诗学的集中表征———女性主义文学批评,更不忽略“和而不同”这一不为性别而性别的审美价值“越界”,正视性别诗学的历史的、现实的和将来的意义。性别诗学是一种从性别文化历史和现状思考出发,推而广之与全球文化伦理正义相关联的前景看好的文论。“中国性别诗学”则是应对“全球化”文化生态现实,又打上鲜明的本土文化色彩的个案之一,它表明真正意义上的女性主义同样也对世界负责。

Gender: a Potential Aesthetic Dimension--Introduction to "Chinese Sexual Poetics" in the Perspective of Globalization

"Chinese sexual poetics" has a tradition of not considering women as a social minority but looking upon women as the other half of the human kind.It views human right as the right of human agents,therefore leaves a gap between itself and traditional poetic forms,which fosters a potential aesthetic dimension: sex.This new dimension adds to the construction of sexual cultures fresh ideologies and acts.It stress: 1.Chinese local sexual poetics;2.localization of western sexual poetics finds expression in respecting fundamental work sexual poetics,that is,the research of feminist literary works,and relyies on the concentrated representation of sexual poetics,that is,feminist literary criticism.This new tradition preserves divergences,opposing the principle of sex for sexual sake,and focuses on the historical,current and future significance of sexual poetics.Sexual poetics is promising literary criticism which takes into consideration the history and current situation of sex opposition and constructs relevance to global cultural,ethic justice."Chinese sexual poetics" is an echo to the global cultural ecological reality and at the same time marks itself with a rich flavor of local culture.It proves that feminism in its true sense is responsible for the world.