论佛教思想对古代文论中“虚实”范畴的影响

在中国文学批评史上，“虚实”作为核心的元范畴源自老庄“有无”论，早期受到道家哲学和玄学思想的渗透与作用，唐宋时期在佛学禅宗的影响下，其含义得到了进一步发展和推进。佛学之“境”、“空灵”和“妙悟”三个方面影响到当时文学创作和批评，通过诗人和批评家之“桥梁”使虚实范畴由此获得新的启迪和推进，对中国文学批评史产生了深远的影响。

Influence of Buddhist ideas on "fictionality and trueness" in ancient literary theory

In the history of Chinese literary criticism, ＂fictionality and trueness＂, as the core ＂metacategory＂, came from Zhuang ZiPs theory of ＂having vs. not-having＂ and was influenced in the early years by Taoist philosophy and metaphysics. They have acquired further meanings in the Tang Dynasty when the Zen sect of Buddhism advocated ＂realm＂, ＂emptiness＂, and ＂intuitiveness＂, which affected the literary creation and literary criticism in that period. Buddhist thoughts promoted the further development of the pair of concepts ＂fictionality and trueness＂ through poets and critics, exerting a far-reaching influence on the history of Chinese literary criticism.