上海与近现代转折期的日本文学——以芥川龙之介与横光利一的文学结合点为中心

1927年，芥川龙之介之自戕极大地震撼了当时的日本文坛。作为新生代作家，横光利一继承芥川遗志远赴上海，以探索超越唯有“发狂或死亡”的狭隘文学，建构充满生命活力的新的日本文学，长篇小说《上海》正是横光苦心探求的结晶。芥川、横光分别作为拉上日本近代文学帷幕与揭开现代文学序幕者，二者的文学接合点“上海”在日本近现代文学史上具有不容忽视的深刻意义。通过论述上海的这段历史，寻求深入思考文学文化问题的新的契机。

Shanghai and Japanese Literature during the Transition Period of Modern History——Focus on the Combination Point of Literature Works of Akutagawa Ryunosuke and Yokomitsu Riichi

The Japanese literary circle was greatly shocked by Akutagawa Ryunosuke＇s suicide in 1927. As a writer of the newly-born generation, Yokomitsu Riichi followed Akutagawa＇s will and went to Shanghai with a view to fulfilling Akutagawa＇s dream to explore and exceed the narrow scope of ＂paranoia or death＂ subjects and to con- struct a new and dynamic Japanese literature. The novel of Shanghai is the product of Yokomitsu＇s hard work. Akutagawa represented the end of modem Japanese literature whilst Yokomitsu signified the start of contemporary Japanese literature. Shanghai, as the conjunction of the two writers＇ literary thoughts, has profound significance in the modem and contemporary Japanese literary history. Through the discussion of the Shanghai history at that time, the paper attempts to explore an insight into the cultural issues in literature.