| 高行健与中国传统戏曲 |
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| 引用本文： | 康建兵.高行健与中国传统戏曲[J].广州大学学报(社会科学版),2010,9(6):87-93. |
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| 作者姓名： | 康建兵 |
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| 作者单位： | 南京大学文学院,江苏,南京,210093 |
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| 摘 要： | 高行健的戏剧创作、戏剧理论和表导演艺术观念均深受中国传统戏曲影响。高行健对传统戏曲在当代的存与变的独特思考和话剧学习戏曲的大胆试验,彰显出对传统戏曲的宏大复归理想和革新精神,并体现在其全能的戏剧追求中。中国传统戏曲给予高行健戏剧以丰富滋养,自身也在世界舞台上焕发出鲜活的艺术魅力。
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| 关 键 词： | 高行健 中国传统戏曲 全能的戏剧 |
Gao Xingjian and Chinese traditional opera |
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| KANG Jianbing.Gao Xingjian and Chinese traditional opera[J].Journal of Guangzhou University(Social Science Edition),2010,9(6):87-93. |
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| Authors: | KANG Jianbing |
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| Institution: | KANG Jianbing (School of Liberal Arts, Nanjing University, Nanjing , Jiangsu , China) |
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| Abstract: | Gao Xingjian＇s drama creation, drama theory and stage drama took root in Chinese traditional opera. His unique thinking on and courageous exploration of traditional opera in relation to modem drama manifest his reversionary ideas and innovative spirit about traditional opera, and express themselves in his pursuit of almighty drama. Chinese tradition opera has rendered rich nourishment to Gao Xingjian＇s drama which in turn shine with fresh vitality in the world＇s contemporary stage. |
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| Keywords: | Gao Xingjian Chinese traditional opera almighty drama |
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