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李白诗歌创作的神话思维特征及其体现
引用本文:罗鸣放.李白诗歌创作的神话思维特征及其体现[J].湛江师范学院学报,2008,29(2):90-94.
作者姓名:罗鸣放
作者单位:贺州学院,中文系,广西 贺州,524800
摘    要:李白诗歌创作风格的形成,很大程度上是得益于他借助了古代神话的思维意识,并结合自己所处的社会现实,将这种思维意识加以拓展体现,通过转换非现实的神话意象的内涵表现,把各种文化元素统合在自己的思维之中,又把统合过的文化元素发散到宇宙万物,跨越时空,思考生命的现实与未来。于是,各种表面上缺乏逻辑性联系,不可组接的意象之间便产生了超逻辑的链接,从而使人与宇宙万物产生了一种新的生命因缘,创造出一种新的自我的生命旋律和时空结构。

关 键 词:李白  诗歌  神话思维  生命意识
文章编号:1006-4702(2008)02-0090-05
修稿时间:2008年1月24日

Mythological Thinking Features and Representation in Li Bai's Poetry
LUO Ming-fang.Mythological Thinking Features and Representation in Li Bai''''s Poetry[J].Journal of Zhanjiang Normal College,2008,29(2):90-94.
Authors:LUO Ming-fang
Institution:L UO Ming-fang (Department of Chinese, Hezhou College, Hezhou, Guangzhou 524800, China)
Abstract:Li Bai's poetry writing style benefited greatly from the combination of the thinking patterns of ancient mythology and the social reality of his time. Li Bai extended his own thinking consciousness through the conversion of non-factual mythological images, integrating different cultural elements into his thinking and pondering over life reality and future by spreading the integrated cultural element to the universe. So different images seemingly illogic and unconnected are connected logically in his poems and made a new life karma between life and universe, thus creating a new life melody and time-space structure.
Keywords:Li Bai  poetry  mythological thinking  life consciousness
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