祝尧的古赋艺术论

祝尧<古赋辩体>将风、赋、比、兴、雅、颂等六艺手法引入辞赋批评中,认为古赋艺术手法的特点是比赋合用,情、理、辞三者兼顾.祝尧的古赋艺术论与其古赋本体论、古赋流变论一起构成了他的古赋理论体系.祝尧以情为本、情在理先、理由辞出的文论思想,是对六朝情采论、宋朝情理论、辞理论的总结,开明代以来文论之风气,在中国文学批评史上占有十分重要的地位.

Zhu Yao's Artistic Theory on Ancient Fu

Zhu Yao in his Genres of Ancient Fu first introduced the six artistic skills of Feng,Fu,Bi,Xing,Ya,and Song into Fu criticism and claimed that the means of artistic expression in ancient Fu are characterized by the combined use of Fu and Bi,and by involvement of emotion,literary grace and reason.Zhu Yao's theory on Fu,together with his theories of Fu ontology and development,constitutes his theory on ancient Fu.According to Zhu,emotion is the foundation,more important than reason,and reason is derived from language,and this literary theory is a summarization of the emotion-language theory of the Six Dynasties,and the emotion-reason theory and the language-reason theory of the Song Dynasty.Zhu launched a new trend for literary theories appearing since the Ming Dynasty and his theory thus has a very important position in the history of Chinese literary criticism.