| 多模态诗画话语的图文意义建构——以南宋马远题画诗《山径春行图》为例 |
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| 引用本文： | 伍彩芬.多模态诗画话语的图文意义建构——以南宋马远题画诗《山径春行图》为例[J].湛江师范学院学报,2014(4):111-116. |
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| 作者姓名： | 伍彩芬 |
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| 作者单位： | 华南师范大学增城学院,广东广州511363 |
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| 摘 要： | 中国题画诗讲究"意境",画中题诗,诗情增添画意,画意映衬诗境,诗画相得益彰。在《山径春行图》多模态诗画话语中,画为视觉艺术,诗是语言艺术,诗是无形画,画是有形诗,诗画融合共生,由绘画组成的图像行为和由题诗组成的言语行为汇合而成一种统一的多模态交流行为共建话语意义。
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| 关 键 词： | 多模态话语 题画诗 视觉语法 |
On Visual-verbal Meaning Construction of Multimodal Painting-Poetry Discourses：A Case Study of Painting-Poetry Discourse Entitled Shan Jing Chun Xing Tu |
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| WU Caifen.On Visual-verbal Meaning Construction of Multimodal Painting-Poetry Discourses：A Case Study of Painting-Poetry Discourse Entitled Shan Jing Chun Xing Tu[J].Journal of Zhanjiang Normal College,2014(4):111-116. |
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| Authors: | WU Caifen |
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| Institution: | WU Caifen (Zengcheng College, South China Normal University, Guangzhou,Guangdong 511363, China) |
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| Abstract: | Chinese Painting-Poetry Discourses place a great emphasis on the artistic conception.Paint-ing harmonizes with poetry inscribed.In the multimodal discourse entitled Shan Jing Chun Xing Tu ,the poem is an intangible painting and painting works as a tangible poetry.The image act converges with the speech act and develops into a united multimodal communicative power to jointly construe the textual meanings. |
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| Keywords: | multimodal discourse painting-poetry discourse visual grammar |
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