首页 | 本学科首页   官方微博 | 高级检索  
     检索      

中西美学中的虚与实
引用本文:彭锋.中西美学中的虚与实[J].北京大学学报(哲学社会科学版),2011(1).
作者姓名:彭锋
作者单位:北京大学美学与美育研究中心;
摘    要:中西美学在艺术的虚实问题上看法不同,中国美学推崇虚,西方美学推崇实。柏拉图和文艺复兴的大师们对艺术褒贬不同,但他们所依据的原则一样,艺术因为虚而受到谴责,因为实而受到褒扬。中国美学推崇艺术不是因为艺术之实,而是因为艺术之虚,艺术的魅力就在于它能够将现实世界虚灵化为精神世界。20世纪西方美学家看到了虚在艺术中的重要作用,但是这种虚与中国美学所推崇的虚非常不同。前者是一种解释和知识形式,后者是一种觉解和生活方式。

关 键 词:    中国美学  西方美学  艺术  

The Presence and the Absence in Chinese and Western Aesthetics
Peng Feng.The Presence and the Absence in Chinese and Western Aesthetics[J].Journal of Peking University(Humanities and Social Sciences),2011(1).
Authors:Peng Feng
Institution:Peng Feng(Research Center of Aesthetics and Aesthetic Education,Peking University,Beijing 100871,China)
Abstract:In Chinese and Western aesthetics,there are different views about the presence and the absence in art.In Chinese aesthetics the absence is advocated while in Western aesthetics the presence is advocated.Though Plato and the Renaissance masters were totally different in their judgments for art,their criteria of judgment were almost the same.Plato depreciated art due to its absence,while the Renaissance masters appreciated art due to its presence.But in Chinese aesthetics art is appreciated due to its absence...
Keywords:the presence  the absence  Chinese aesthetics  Western aesthetics  art  
本文献已被 CNKI 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号