世纪之交平民化文学创作的特质

近二十年的全方位改革引发了平民阶层在当代中国社会的重新聚合，平民意识在近年来的文学创作中逐渐强化。作为世纪之交文学创作的新思潮，平民化创作倾向不仅有９０年代人文精神讨论提供思想基础及社会价值观念多元共存的前提，更是文学自身运动规律的产物和作家地位意识改变的结果。其所表现出来的美学特征，与新写实小说的关注生存状态不乏共同特点，但又没有仅仅停留在对生存困境的书写上；与先锋派的“贵族化”写作，无论在审美艺术追求上，还是在哲学基础上，都是分庭抗礼的；与社会转型期的雅俗互融的写作态势形成一种呼应、渗透，但又没有放弃人文关怀的文学立场；与世纪之初周作人的“平民文学”在文学精神上有内在的契合点，而在对人道主义的吁请方面又有新的时代发展；与传统“大众化”写作，在审美趣味上体现了对接受主体的共同尊重，在文学观念和方法上有秉承性一致性，但又突出体现了创作主体对现实生活的关注与干预

Plebification Tendency in Literary Creation at the Turn of the Century

Plebeian consciousness has picked up momentum in literary creation in recent years. As an important drive in literary creation at the turn of the century, plebification is tolerated and tacitly permitted by the ideology of authority. It is ideologically based on the debate over humanism in the 1990s and preconditioned by the coexistence of multivalent social values and concepts. In particular, it is the fruit of the law of literary creation proper and a crystallization of the reformation in contemporary China of the plebeian class which has resulted from a 20 year omnibearing economic reform.