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新批评"自律性"文学观源流探
引用本文:刘万勇.新批评"自律性"文学观源流探[J].山西大学学报(哲学社会科学版),2005,28(6):88-93.
作者姓名:刘万勇
作者单位:中央民族大学,文学与新闻传播学院,北京,100081
基金项目:国家社科基金项目九五规划重点课题“西方现代文论与古典文论渊源关系”(96AWW006)
摘    要:新批评的自律性文学观是对文论史上被冷落甚至被抹杀了的文学独立价值的再次申说和改写。从“审美不涉利害”到“为艺术而艺术”,从“非个性化”到“文学的内在必然性”,从“本体论”到“意图谬见”、“感受谬见”和“起因谬见”,新批评将作品变成了一个与作者、读者和现实无关的独立自足的文本。这种绝对化的文本崇拜,使文学研究具备合法性、超越性和神性的同时也丧失了有效性、现实性和人文性。

关 键 词:新批评  自律性  文学观  渊源与流变
文章编号:1000-5935(2005)06-0088-06
修稿时间:2005年5月16日

Origin and Development of Concept of Literary Autonomy in New Criticism
LIU Wan-yong.Origin and Development of Concept of Literary Autonomy in New Criticism[J].Journal of Shanxi University(Philosophy and Social Sciences Edition),2005,28(6):88-93.
Authors:LIU Wan-yong
Abstract:The concept of literary autonomy in New Criticism is a restatement and rewrite of independent value of literature,which is desolated and even obliterated in the history of literary theory.From "Aesthetic judgement's non-utility" to "Art for art's sake",from "Depersonalization" to "Inner certainty of literature",from "Ontology Criticism" to "Intentional fallacy" and "Affective fallacy" and "original fallacy",New Criticism regards literary works as all autonomous text which has nothing to do with its author,readers and reality.The absolute worship of text provides literary study with legitimacy,transcendence and divinity,but meanwhile,this kind of study loses validity,reality and humanity.
Keywords:new criticism  literary autonomy  origin and development  
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