| 用舞蹈审美的方式谈谈京剧中的做、打艺术 |
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| 引用本文： | 郑丽红,郑波光.用舞蹈审美的方式谈谈京剧中的做、打艺术[J].学术问题研究,2006(1). |
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| 作者姓名： | 郑丽红 郑波光 |
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| 作者单位： | 仰恩大学 泉州362014(郑丽红),集美大学 厦门361021(郑波光) |
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| 摘 要： | 京剧与舞蹈都是伴随人类社会生活中产生的,作为艺术的两种表现形式有很多的共同与不同,本文旨在通过一个侧面来欣赏京剧的表]艺术,来展现京剧的审美特征。以舞蹈的审美方式用形、神、乐、劲、律五方面来谈谈京剧中"舞蹈"(做、打)的审美艺术。
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| 关 键 词： | 舞蹈 审美方式 京剧 做、打艺术 |
A Discussion of the Dancing and Martial Arts of Peking Opera in an Aesthetic Way |
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| ZHENG Li-hong & ZHENG Bo-guang.A Discussion of the Dancing and Martial Arts of Peking Opera in an Aesthetic Way[J].Academic Research(Integrated Edition),2006(1). |
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| Authors: | ZHENG Li-hong & ZHENG Bo-guang |
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| Abstract: | Both Peking Opera and dance came into being simultaneously among the social life and productive activities of the mankind. As two kinds of performance of art, they have many different characteristics in common. This article explores the acting art of Peking Opera to present its aesthetic feature through one aspect. The aesthetic way of dancing and martial arts of Peking Opera is discussed in the way of using the five basic elements: body, spirit,music, energy and tempo. |
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| Keywords: | dance aesthetic way Peking Opera dancing and martial arts |
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