首页 | 本学科首页   官方微博 | 高级检索  
     检索      

顾恺之“传神论”美学思想探析
引用本文:周振华.顾恺之“传神论”美学思想探析[J].成都理工大学学报(社会科学版),2015(6):108-111.
作者姓名:周振华
作者单位:西南大学 文学院,重庆,400715
摘    要:顾恺之是中国最早系统提出“传神论”的绘画美学理论家。“以形写神”、“迁想妙得”等理论成为中国人物画的重要创作方法。从“传神论”的哲学源头入手,讨论各家思想对其画论的影响,论述“传神写照”这一理论中“神”的内涵,重点从审美体验来论证“以形写神”、“迁想妙得”等概念,从而加深对顾恺之绘画理论的理解。

关 键 词:传神写照  审美体验  以形写神  迁想妙得

Gu Kaizhi“Vivid Theory”Aesthetic Thinking
Abstract:Gu kaizhi is the earliest Chinese system theorists who put forward the theory of painting aesthetics.The theories of “vivid theory”and “Moving thoughts”are the Chinese figure painting creation methods.This article mainly from the source of the theory of philosophy.Discussing various ideas on its painting,and talking about the vivid portrayal and the connotation of the theory of god.Focus on the aesthetic experience to demonstrate “in order to write God”,“move to the idea of”and other concepts,so as to deepen the understanding of Gu Kaizhi painting theory.
Keywords:vivid portrayal  aesthetic experience  spiritual writing in form  moving thoughts
本文献已被 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号