| 茅盾前期小说理论批评综论 |
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| 引用本文： | 李兴阳.茅盾前期小说理论批评综论[J].湖北师范学院学报(哲学社会科学版),2007,27(2):14-19. |
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| 作者姓名： | 李兴阳 |
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| 作者单位： | 湖北师范学院,中文系,湖北,黄石,435002 |
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| 摘 要： | 茅盾前期小说理论批评的核心是现实主义,有着明确的社会功利主义价值取向,其"为人生"的小说观念在不同的历史时期有宽与窄的变化,而以窄化为总的演进趋向;其小说"技术的理论"以三分法为基本构架,建构小说形态理论,而以"真实"、"典型"为指归;其"有意为之"的小说创作论,推崇社会学式的理性分析.这些方面共同形成了一种系统的"茅盾的文学思想".
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| 关 键 词： | 茅盾 小说理论批评 现实主义 |
| 文章编号： | 1009-4733(2007)02-0014-06 |
| 修稿时间： | 2006年9月24日 |
A comprehensive discuss on Mao Dun's early novel theories and criticisms |
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| LI Xing-yang.A comprehensive discuss on Mao Dun''''s early novel theories and criticisms[J].Journal of Hubei Normal University(Philosophy and Social Science),2007,27(2):14-19. |
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| Authors: | LI Xing-yang |
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| Abstract: | The core of Mao Dun's early fiction theories is realism.Has an explicit trend of social utilitarianism,his idea of literature "for life" changed from wide to narrow in different history periods.His theory of novel technic used triadic method to constuct a novel form theory and aimed "reaityl" and "typical model".His theory of creation for purpose asked for a reasonable sociological analysis to real life.All these aspects formed a system of Mao Dun's literature thoughts. |
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| Keywords: | Mao Dun novel theory and criticism realism |
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