告别了帕尔纳斯的诗人们——中国新诗创作的后现代主义转向

后现代主义光照之下的中国文学如何发生变化 ,走向何处 ,一直是个吸引人的话题。本文就试图借用后现代主义研究中的一些基本理念 ,通过对中国建国以来 ,尤其是进入 90年代以后的新诗创作特点和与之相比较早时期新诗创作特点的比较 ,展示出在后现代主义大潮影响之下 ,中国文学中的一隅———诗歌创作所产生的变异。进而对这种潮流之下新诗的创作与批评提出自己的看法

The poets who lost their Parnass -The development of Chinese new - style poems in the context of post - modernism

To study where the main stream of Chinese literature will go and how it goes in the context of post-modernism is always attracting and controversial in today's academic studies of China. This essay also tries to make an attempt in this field: by analyzing some characteristics of post-modernism revealed in the creation of all sorts of Chinese new-style poems, the trend of the development of Chinese new-style poems becomes obvious. Moreover, the questions of how to undertake the creation of poetry and how to carry out the proper poetry criticism in the context of post-modernism are also posed consequently as a more crucial point as well as the conclusion of the thesis.