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生态美学视野下的“中和之美”
引用本文:郑冬瑜.生态美学视野下的“中和之美”[J].广西师范学院学报(社会科学版),2014(6):26-28.
作者姓名:郑冬瑜
作者单位:广东财经大学,广东 广州,510320
摘    要:“中和之美”作为中国古典美学的基本形态,长期被局限于儒家美学理论领域中,带着深厚的道德理性色彩,强调雅正之美。本文在生态美学视野下对“中和之美”重新解读,恢复其完整的美学内涵。“中和之美”包含中国传统生态智慧的发轫,其大道本源性的思维模式和对待自然的审美化态度,具有现代意义,在实现古典美学形态现代转换的过程中,成为中国当代生态美学理论资源的有益补充。

关 键 词:“中和之美”  生态智慧  大道本源性  自然审美观

The Neutral Beauty in the View of Ecological Aesthetics
ZHENG Dong-yu.The Neutral Beauty in the View of Ecological Aesthetics[J].Journal of Guangxi Teachers Education University,2014(6):26-28.
Authors:ZHENG Dong-yu
Institution:ZHENG Dong-yu (Guangdong University of Finance & Economics, Guangzhou 510320, China)
Abstract:As the basic form of Chinese classical aesthetics, the neutral beauty, always confined in the Confucian aesthetics theory, contains the deep-rooted characteristics of moral reason, and emphasizes the beauty of elegance and standard. This paper would re-illustrate the neutral beauty from the view of ecological aesthetic theory to restore its whole aesthetic connotation. The neutral beauty contains the origin of the Chinese traditional ecological wisdom. The thinking mode of wise origin and the natural aesthetic view has the modern meaning. In the process of achieving the modernization of Chinese classical aesthetic, the neutral beauty has become a beneficial supplement of modern Chinese ecological aesthetics theory.
Keywords:Neutral Beauty  Ecological Wisdom  Wise Origin  Natural Aesthetic View
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