首页 | 本学科首页   官方微博 | 高级检索  
     检索      

论中国现代讽刺诗的审美流变(上)
引用本文:陈敢.论中国现代讽刺诗的审美流变(上)[J].广西师范学院学报(社会科学版),2008,29(3):53-57.
作者姓名:陈敢
作者单位:广西师范学院文学院,南宁530001
摘    要:中国现代讽刺诗出现了两次高潮。第一次高潮是20世纪40年代,标志性人物是马凡陀,他第一个创造出现代讽刺诗的武出范式,为现代讽刺诗第一次赢得了它的时代的美学的和文学的品格。第二次高潮是20世纪80年代,代表性人物是刘征,他独创文进范式的讽刺诗,这一范式注重印象,讲完主观夸张和同情的幽默,从而使20世纪中国现代讽刺诗最终完形。

关 键 词:中国现代讽刺诗  武出范式  文进范式  完形

On the Aesthetic Changes of the Modern Chinese Satirical Poetry
CHEN Gan.On the Aesthetic Changes of the Modern Chinese Satirical Poetry[J].Journal of Guangxi Teachers Education University,2008,29(3):53-57.
Authors:CHEN Gan
Institution:CHEN Gan (College of Chinese Language and Literature, Guangxi Teachers Education University, Nanning 530001, Guangxi, China)
Abstract:The modern Chinese satirical poetry witnessed two summits. The first summit appeared in the 1940s, the representative poet being Ma Fantuo, who first created the fierce style of modern satirical poetry, gaining an epochal aesthetic and literary style for this kind of poetry. The second summit emerged in 1980s, the representative being Liu Zheng, who uniquely created the mild style of satirical poetry, which attached great importance to impression, having the features of subjective exaggeration and sympathetic humor, thus perfecting the style of the modern Chinese satirical poetry.
Keywords:Chinese Modern Satirical Poetry  Fierce Style  Mild Style  Perfection
本文献已被 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号