| 试论《三侠五义》的叙事艺术 |
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| 引用本文： | 陈苏梅.试论《三侠五义》的叙事艺术[J].广西师范学院学报(社会科学版),2005,26(3):62-65. |
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| 作者姓名： | 陈苏梅 |
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| 作者单位： | 广西师范学院中国语言文学院 广西南宁530001 |
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| 摘 要： | 《三侠五义》是一部读者喜闻乐见的清代公案侠义小说。它故事情节波澜起伏、高潮迭起,人物众多,头绪繁杂,文中运用趁窝和泥、穿针引线等叙事技巧及部分采用限知视角叙事使故事叙述得张弛有致,有条不紊。
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| 关 键 词： | 叙事技巧 趁窝和泥 穿针引线 限知视角 |
| 文章编号： | 1002-5227(2005)03-0062-04 |
| 修稿时间： | 2005年6月14日 |
On the Artistic Features of The Chivalric Heroes |
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| CHEN Su-mei.On the Artistic Features of The Chivalric Heroes[J].Journal of Guangxi Teachers Education University,2005,26(3):62-65. |
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| Authors: | CHEN Su-mei |
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| Abstract: | The Chivalric Heroes was a popular novel of legal cases and chivalrous deeds written in Qing Dynasty. It was a complicated novel with plots of one climax following another, numerous characters, and complex affairs. Some narrative skills such as plot-blending, work-sewing, and limited angle of view are used to make the stories relaxed and orderly. |
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| Keywords: | Narrative Skills Plot-blending Work-sewing Limited Angle of View |
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