| 浮华落尽见真淳--论汪曾祺小说的艺术精神 |
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| 引用本文： | 马茅赓.浮华落尽见真淳--论汪曾祺小说的艺术精神[J].重庆邮电学院学报(社会科学版),2003,15(2):67-70. |
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| 作者姓名： | 马茅赓 |
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| 作者单位： | 华东船舶工业学院,江苏,镇江,212005 |
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| 摘 要： | 世俗化的观照对象和口语化的叙述框架是汪曾祺小说精神本色化的主要表征.而这种独具个性的精神风貌又和汪曾祺的性灵化境界密切相关.其迷人的美学意蕴主要体现在平淡的老境和简约的古境上.与现代的新潮小说相比,汪曾祺的作品传统化因子最为丰富,诗情的承袭和画意的追求是其主要精神内核.
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| 关 键 词： | 汪曾祺 小说 艺术精神 本色化 传统化 |
| 文章编号： | 1009-1289(2003)02-0067-04 |
| 修稿时间： | 2002年7月12日 |
Inside Sincerity--the Artistry of Wang Zengqi's Novels |
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| MA Mao-geng.Inside Sincerity--the Artistry of Wang Zengqi''''s Novels[J].Journal of Chongqing University of Posts and Telecommunications(Social Science Edition),2003,15(2):67-70. |
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| Authors: | MA Mao-geng |
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| Abstract: | Secular characters and colloquial style of narration are the main manifestations of the aesthetics of Wang Zengqi's novels. It is these individualized features that are closely connected with Wang's soul and character whose fantastic aesthetic meanings are represented in the plain and simple traditional pictures. Compared with modern pop novels, Wang's works with poetic and picturesque qualities contain very rich traditional factors. |
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| Keywords: | Wang Zengqi novels artistry individualized traditionalized |
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