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主体性美学的理论重构——作为“交流”中西的文艺美学家殷国明
引用本文:汤奇云.主体性美学的理论重构——作为“交流”中西的文艺美学家殷国明[J].新疆大学学报(社会科学版),2011(5):103-109.
作者姓名:汤奇云
作者单位:深圳大学文学院,广东深圳518060
摘    要:艺术主体性丧失,导致了中国当代文艺理论与批评陷入了双重困局。恢复人们对艺术的终极信仰与艺术思维,肯定人们对生命意识的共通性和艺术主体的生存超越性,是复活有生命感的文艺理论与批评的必然出路。在“文学是人学”的这一理论启发下,殷国明进一步提出了“美来自于艺术主体的生命体悟”的“生命说”美学论断。

关 键 词:殷国明  艺术主体  艺术思维  生命说

Reconstructing Subjectivity in Aesthetics---On Yin Guoming's Ideas
TANG Qi-yun.Reconstructing Subjectivity in Aesthetics---On Yin Guoming's Ideas[J].Journal of Xinjiang University,2011(5):103-109.
Authors:TANG Qi-yun
Institution:TANG Qi-yun (Literature College, Shenzhen University, Shenzhen, Guangdong, 518060)
Abstract:The loss of subjectivity in arts has left contemporary Chinese literary theory and criticism in double plights. To restore to an ultimate belief and artistic thinking and approve the commonality of life consciousness and the transcendence of artistic subjectivity is the only way out to a living literary theory and criticism. Inspired by the theory of "literature is the study of man", Yin Guoming proposes his judgment that "beauty comes from the sudden enlightment of life in the artistic subjectivity".
Keywords:Yin Guoming  Artistic subjectivity  Artistic thinking  Theory of life
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